Trying to
move US to the radical middle
INNER TRUMP
… No use denying it. As Americans, we all carry a bit of Donald around with us.
Crypto-racist language. Mean sound bites. Impossibly simple fiats … Truth is,
we are all embedded in the United States of America, the First World’s leading
nation -- which has assumed neo-colonial guard duty for the Free World’s Market
Empire. At least that’s been the vision, since the ‘50s, of the
DullesBrothers/Eisenhower/Nixon/Reagan/Bush/Wall Street Journal wing of what many of us have taken to calling
our nation’s “deep politics.” This is the same group of powerful men
representing the 1% who, post-WWII, created the CIA, a Cold War strategy of
mutual assured destruction with Russia, had Mossedegh, Arbenz and (it would
appear) both Kennedys killed, and has been overturning as much of FDR’s legacy
as possible and preventing any quasi-socialist proposals for money to be spent
on society’s middle and lower classes … Look, we all need to move to the middle
to get things done … Let certain pols make fools of themselves. It’s a free
country, as my daddy used to say. But neither side of the political divide is
going to close the gap by throwing rocks from the other cliff-face.
THE SOUND OF MUSIC … This was meant to run last week, but got crowded out by other items.
But I have to comment. It’s amazing to me how a live community theater show is
so powerful. Even with non-professionals, there’s something about live theater
that grabs one in ways that even the most polished films rarely do … I don’t
know exactly how Sara Doehrman manages to pull off such great community theater
musicals. But corny, nostalgic, old-fashioned – little of that matters when you
see neighbors and kids acting out a play, singing and carrying on, in a
thoroughly convincing manner. Her adapted Rodgers and Hammerstein delight had
us all charmed and entertained a couple Fridays back. There were so many
standouts I can’t name them all. But I loved all the characters and the singing and the acting. It really amazed me how powerful theater is, even community theater with amateurs … There’s a reason I don’t miss ACE of Norwood
shows in the Livery. They’re wonderful!
HAMLET …
As you can tell, I love live theater. Theater on film almost always seems to
lack the immediacy and wraparound embrace of live stage performances. But I had
to make an exception for the Royal National Theatre’s production of Benedict
Cumberbatch’s Hamlet at the Barbicon
theater in London, and watched last weekend at the Palm, thanks to the good
work of Jennie Franks and SPARKy Productions www.playwrightsfestival.org … It was nothing short of astounding. I
can’t wait for the next production.
THE GREAT DIVIDE … April Montgomery of the Telluride Foundation and Laura Kudo of the
Telluride Institute’s Watershed Education Program showed this wonderful primer
on water in Colorado at the Wilkinson Library last week. Every Coloradoan ought
to see this film. There’s probably no easier way to get up to speed on the
issues associated with water in this state than watching The Great Divide. Not only is it well executed, but it’s enjoyable,
balanced and thought-provoking. Peter Coyote does the narration … Plus, our own
April M gets a couple marvelous quotes in the mix of water experts, and the
documentary ends with a finale shot of Bridalveil Falls … Highly recommended.
GOOD NEWS
… Kudos to San Miguel County for protecting the Forest Service’s Wasatch Trail
up Bear Creek from closure by the Chapman gang. State Appeals Court shot down
the Chapman legal challenge on all counts, upheld Judge Deganhart’s lower court
ruling and released a written opinion, making it precedent-setting law --
unless overturned by the State Supreme Court … Kudos too to the Trust for
Public Land, GOCO, Colorado State Forest Service, the federal Forest Legacy
Project and Ouray County for putting the 2,248-acre Sawtooth Mountain Ranch
into a conservation easement. That means water rights for the 11 springs and 20
ponds on the ranch will stay with the land, including two tributaries of the
Uncompahgre River which run through the ranch property, protecting drinking
water and irrigation water.
NOW WE KNOW
… “We could question when we were young about the dead and whether they live on
in heaven, or in the ground, or in molecules of air, or whether they return, or
wherever it is they go. We can no longer question. We can no longer say we do
not know … We look now into mirror and see them. Our mothers’, our
grandmothers’ faces. Our fathers’, our grandfathers’ traces. Their gnarled old
hands, their blotched and spotty skin. We see them in the postures of our
bodies, their shape or stoop. Their sprightliness and grace … We see them in
the predilections of our souls. The ancestors -- hear them in our stories.
Stories of home, of lost love, of youth. Stories of victory or of loss. Echoing
in us like ram’s horns, or tambourines with a beat in the movement of our
fingers. Or words flowing through our hearts and the rhythm of our feet … On
the great round now, winter. Darkest night. Abyss of night. Gateway to the
dream beyond the dream. The very animals in us howl. And the moon, shining on
fields, shining on sea. Shining, shining on ancient Earth.” –Amalia Sabatini,
Clinton, NY
THE TALKING GOURD
when the glass
slipper
does not fit, learning
the joy of bare feet
does not fit, learning
the joy of bare feet
Rosemerry Wahtola Trommer
Western Slope Poet Laureate